Safeguarding Subjects

Safeguarding Subjects

By Sumana Palle

As a film photographer, I have a strong aversion to posting pictures of the people I capture. My style leans away from posed, portrait photos and towards candid, in-the-moment shots, often taken at private, intimate events where I feel comfortable bringing out my film camera. These moments are authentic and genuine, capturing the true essence of the subjects in their natural state. However, such photos are not intended for public consumption or purchase. They are personal, capturing the trust and vulnerability shared between the subject and me. To expose these intimate moments to a wider audience feels like a breach of that trust, and it risks commodifying something that was meant to be private and cherished.

One day, I aspire to create portraits of the unique communities I work with and make these available for purchase, but with a significant caveat. Any proceeds from the sales of these prints will go directly back to the people in the pictures. This approach aims to counter the prevalent trend where Western photographers profit from exoticizing their subjects while the subjects themselves gain nothing. It is crucial for me to ensure that the individuals who graciously allow me into their lives and communities are recognized and compensated for their contributions. By doing so, I hope to honor their stories and preserve the integrity of the relationship we have built, ensuring that any financial benefit derived from their images supports and uplifts them directly.